Blues Eyes

G: VImin7G: I13G: VImin7D: IIImin7
Emin7| G13| Emin7| F#min7
E AeolianG MixolydianE AeolianF# Phrygian
G MajorC MajorG MajorD Major

G: VImin7G: I13G: VImin7D: IIImin7
| Emin7| G13| Emin7| F#min7
E AeolianG MixolydianE AeolianF# Phrygian
G MajorC MajorG MajorD Major

G: Imaj7G: bVII7G: Imaj7G: VIIm7b5
| Gmaj7| F7| Gmaj7| F#min7b5
G IonianF Lydianb7G IonianF# Locrian
G MajorC RMMG MajorG Major

G: III7b9G: VImin7G: I13G: VImin7
B7b9| Emin7| G13| Emin7
B Mixob9b13E AeolianG MixolydianE Aeolian
E HMG MajorC MajorG Major

D: IIImin7G: VImin7G: I13G: VIImin7b5
| F#min7| Emin7| G13| F#min7b5
F# PhrygianE AeolianG MixolydianF# Locrian
D MajorG MajorC MajorG Major

G: III7b9G: VImin7
B7b9| Emin7 ||
B Mixob9b13E Aeolian
E HMG Major

For each set of four lines:

The middle line is the chord progression.

The top line is the harmonic analysis.

The third line is the first-choice mode (aka chord-scale) for that chord.

The fourth line is the scale from which the mode is derived.

Analysis produced by Steve Carter's THoTH Expert Music System program

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