Warm Like Us
| E: Imaj7 | E: IImin7 | C: IImin7 | C: V9 |
| Emaj7 | | F#min7 | | Dmin7/G | | G9 |
| E Ionian | F# Dorian | D Dorian | G Mixolydian |
| E Major | E Major | C Major | C Major |
| C: Imaj7 | C: I6 | Ab: IImin7 | Ab: V9 |
| | Cmaj7 | | C6 | | Bbmin7 | | Eb9 |
| C Ionian | C Ionian | Bb Dorian | Eb Mixolydian |
| C Major | C Major | Ab Major | Ab Major |
| Ab: I6 | Ab: Imaj7 | Ab: I6 | Ab: IVmaj7 |
| | Ab6 | | Abmaj7 | Ab6 | | Dbmaj7 |
| Ab Ionian | Ab Ionian | Ab Ionian | Db Lydian |
| Ab Major | Ab Major | Ab Major | Ab Major |
| C: Imaj7 | C: VII7 | E: I6 | E: IImin7 |
| | Cmaj7 | B7 | | 1. E6 | | F#min7 |
| C Ionian | B Mixob9b13 | E Ionian | F# Dorian |
| C Major | E HM | E Major | E Major |
| E: V7 | E: I6 |
| B7 | :|| 2. E6 |
| B Mixolydian | E Ionian |
| E Major | E Major |
For each set of four lines:
The middle line is the chord progression.
The top line is the harmonic analysis.
The third line is the first-choice mode (aka chord-scale) for that chord.
The fourth line is the scale from which the mode is derived.
Analysis produced by Steve Carter's THoTH Expert Music System program